Join Jayme McLellan, curator and acting Director of University Galleries, for a closing reception and Close, Slow Looking program where the curator unpacks and discusses works from the show, Murie Hasbun: With the Pulse of A Community / Con el pulso de una comunidad. This program is an opportunity to learn, share, and create community.

Join us for an engaging artist talk and reception featuring John Mosher. Mosher will discuss his artistic process, influences, and current exhibition 'Wanderer'. The event will provide attendees an opportunity to interact with the artist and gain insights into his creative journey. The reception will follow, allowing for further conversation and connection over refreshments. This event is free and open to the public. We look forward to seeing you there!

Please Join us at Gallery 128 for a series of individual performances by ART 367 and ENVR 305 for a Site-Specific and Installation at 7pm.

Ober (editor in chief) and Castedo (creative director) of BMore Art Magazine discuss publishing and their most recent and largest publishing effort to date, Baltimore: City of Artists

Washington, DC-based Brazilian visual artist and art educator Silva uses new media to respond to urban development issues in green regions. Silva holds an M.F.A. from Maine College of Art and Design and an M.A.T. from Corcoran College of Art and Design. His works have been exhibited nationally and internationally, and reviewed in The Washington Post, Sculpture Magazine and PBS.

The awards reception for Salisbury University’s 70th Senior Exhibition for our graduating Fine Arts and Graphic Design students.

Calcagno Cullen is a social practice artist who proactively collaborates with others to make projects, systems, and organizations…

Hettie Epison is a graphic designer at Dogfish Head Craft Brewery in the Marketing and Creative Department. Inspiration for her work ranges from the analog methods of pre-digital designers to the intentional chaos of collage artists. As a designer she has worked in product, commercial & brand design. In addition, her continued experimentation with painting, drawing & collage inspires her creative approach both conceptually and technically.  

Michel Demanche defines herself as an artist whose work deals with perception, illusion, and memory. She regularly combines traditional photography, printmaking, painting, drawing and handmade papers in her compositions which are two-dimensional or fully three-dimensional by turn. Her works have been exhibited nationally and internationally garnering many awards such as 1st place in photography at the Florence Biennial.

The Guerrilla Girls are an internationally-recognized collective of anonymous artists that adopt the names of deceased women artists to obscure their identities and keep the focus on the issues as they fight “for human rights for all people and all genders.” Their talk and exhibition, “The Art of Behaving Badly,” traces the history of their organization through their interventions and Public Service Announcements (PSAs) from 1985-2015.

Join them for an artist talk on March 8th, 2023 starting at 7p.m. at the Guerrieri Academic Commons, 4th floor of the Assembly Hall.

Learn more about the artist Brooke Rogers and his work in an informal gallery talk on Thursday, March 2 at 5:30pm.

Once again SU’s graduating art majors show off their work in this capstone exhibition and class. Fine Art and Design will be on display marking the end of these students’ SU careers and the beginning of their professional lives.

Come hear the presentations by Profs. Elizabeth Kauffman, Yujia Song, and Elsie Walker, join an open conversation, and socialize with light refreshments and a cash bar. Please consider bringing a memorial photograph of a loved one, or some words that you'd like to share on the grief wall we'll be creating at this event. This event is co-sponsored by the Fulton Public Humanities Committee.

Solo exhibition by installation artist, Jarod Charzewski. This site-specific installation references survival through preservation; more specifically the propensity to consciously and unconsciously collect things. As an immigrant to this country, personal belongings have taken on new definitions and classifications for Charzewski as he continues to cross borders.

The Research Lab of Ambiguous Futurology is concerned with the future of fashion and its inevitable collision with technology. Its research is concerned about the technology we seem so eager to put onto our bodies, but know so little about. This immersive installation features “Future Heirlooms” that are designed with the uncertain future in mind.

The work in this solo exhibition by Graphic Design professor Edgar Reyes, centers around his family’s history and the distinct places they’ve called home. His tactile and multi-dimensional work suggests that our most precious memories play a vital role in helping us cope with loss and displacement.